Auction ends | over |
Bids | no |
Current price | ¥864 $6 |
Start price | ¥864 $6 |
Buy-now | ¥864 $6 |
Consumption tax | 10% not included |
Seller | zarathustrafuji +1462 |
Condition | Used |
Start time | 2024-04-25T06:31:58+09:00 |
End time | 2024-04-25T11:12:44+09:00 |
Auto-prolongation | Turned off |
Lot number | x1127652259 |
Seller position | Osaka prefecture |
● Bartok:
[1] Concerto for orchestra
[2] "Chinese mysterious official" Op.19
■ Seiji Ozawa Conducted Boston SO [2] Tanglewood Music Festival
CD // Overseas edition {DDD} Philips * 442 783-2
Release: 95 / Recording: 1994; [1] Only LIVE / Recording time: 69 minutes
△ The engraving at the center of the disc (transparent plastic part) = Made in Germany by PMDC
◇ Disc: B+to B/ Scratch partially (stronger/ smaller * Operation confirmed)
◇ Booklet: A- / Small wrinkles with a little / light discoloration on the white background
◇ Plastic case: B+
☆ [1] 1994. 2. 26, 3.1, [2] 1994. 28 or more recording in the Boston Symphony Hall. [1] Live only. (P) Wilhelm Helvec, (E) Onno Scorze and others 2 people. - [1] is composed by the request of the Kusevititski Foundation for the purpose of spreading modern music.. There was a memory of the 20th anniversary of Kusevitzky's music director, who was a music director in Boston Hibiki in 1943, and the reminiscent of Mrs. Natelia, who died.. The true purpose, however, is that, although it was good to move to the United States because of hating the Nazis, Bartok,, who had lost its willingness to the American life, to the creative again.. -The live performance was recorded in commemoration of 50 years after the death of Bartok and Kusevitzky & Boston Hibiki [1] 50 years.. The end of [1] uses a premiere version different from the current version. The revised version that is usually performed is made based on Bartoki's reflection on Bartok and the opinions of Kusevitzky when listening to the premiere, and the biggest change is that the final movement is too sudden. What happened. The score says that the revised coder was added as a supplement, so the premiere coder is also alive, but most of the performances are performed in the revised Coda, and this album is a valuable premiere Coda usage version.. The recording of the premiere coder version is a live recording in December 1944 immediately after the premiere by Kusevitsuki, but maybe this recording is the first commercial recording with the premiere coder since then.. -The Boston Hibiki's [1] recording is 1962 Rhine Dorf (RCA) and Couberick (DG) in 1973..
***
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